Editoral Review

It's been almost a quarter century since a youthful, avant-garde band with cut-rate guitars and an impetus for experimental noise burst into the New York underground, and it's very possible that as its 21st record to date, Rather Ripped is also Sonic Youth's most accessible. Familiar are Kim Gordon's distinctive oral tonality and the tangled sheen of guitar dissonance that plays out between Thurston Moore and Lee Ranaldo. But a majority of the dozen songs are as pop-smart as they come, including a pair from Gordon: "Reena," which ranks among her finest, and a pensive pair ("Lights Out" and "Turquoise Boy") that have the 50-plus singer's ethereal voice recalling a street-worn Francoise Hardy. Ever the whiz kid, Moore ponders religious hostility in the meditative "Do You Believe in Rapture" and skewers promiscuity on the Lou Reed-ish "Sleepin' Around," while Ranaldo's requisite number "Rats"--all futuristic and feedback-heavy--is among his best compositions. As the record fades out with Moore's near-folk song "Or"--the alternative conjunction linking "ready" and "not"--Sonic Youth is as genial as ever: another phase in a punk rock novel that ostensibly has many chapters to go. --Scott Holter